The Introverted Thinking Type

posted by Arkham on October 7th, 2008

Adapted from Jung, C.G.Psychological Types“:

The introverted thinking type is decisively influenced by ideas; these, however, have their origin, not in the objective data but in the subjective foundation. Like the extravert, he too will follow his ideas, but in the reverse direction: inwardly not outwardly. Intensity is his aim, not extensity. In these fundamental characters he differs markedly, indeed quite unmistakably from his extraverted parallel. Like every introverted type, he is almost completely lacking in that which distinguishes his counter type, namely, the intensive relatedness to the object. In the case of a human object, the man has a distinct feeling that he matters only in a negative way, i.e., in milder instances he is merely conscious of being superfluous, but with a more extreme type he feels himself warded off as something definitely disturbing. This negative relation to the object-indifference, and even aversion-characterizes every introvert; it also makes a description of the introverted type in general extremely difficult. With him, everything tends to disappear and get concealed. His judgment appears cold, obstinate, arbitrary, and inconsiderate, simply because he is related less to the object than the subject. One can feel nothing in it that might possibly confer a higher value upon the object; it always seems to go beyond the object, leaving behind it a flavour of a certain subjective superiority. Courtesy, amiability, and friendliness may be present, but often with a particular quality suggesting a certain uneasiness, which betrays an ulterior aim, namely, the disarming of an opponent, who must at all costs be pacified and set at ease lest he prove a disturbing- element. In no sense, of course, is he an opponent, but, if at all sensitive, he will feel somewhat repelled, perhaps even depreciated.

Invariably the object has to submit to a certain neglect; in worse cases it is even surrounded with quite unnecessary measures of precaution. Thus it happens that this type tends to disappear behind a cloud of misunderstanding, which only thickens the more he attempts to assume, by way of compensation and with the help of his inferior functions, a certain mask of urbanity, which often presents a most vivid contrast to his real nature. Although in the extension of his world of ideas he shrinks from no risk, however daring, and never even considers the possibility that such a world might also be dangerous, revolutionary, heretical, and wounding to feeling, he is none the less a prey to the liveliest anxiety, should it ever chance to become objectively real. That goes against the grain (does something that is the opposite of what is usually done). When the time comes for him to transplant his ideas into the world, his is by no means the air of an anxious mother solicitous for her children’s welfare; he merely exposes them, and is often extremely annoyed when they fail to thrive on their own account. The decided lack he usually displays in practical ability, and his aversion from any sort of réclame assist in this attitude. If to his eyes his product appears subjectively correct and true, it must also be so in practice, and others have simply got to bow to its truth. Hardly ever will he go out of his way to win anyone’s appreciation of it, especially if it be anyone of influence. And, when he brings himself to do so, he is usually so extremely maladroit that he merely achieves the opposite of his purpose. In his own special province, there are usually awkward experiences with his colleagues, since he never knows how to win their favour; as a rule he only succeeds in showing them how entirely superfluous they are to him. In the pursuit of his ideas he is generally stubborn, head-strong, and quite unamenable to influence.

His suggestibility to personal influences is in strange contrast to this. An object has only to be recognized as apparently innocuous for such a type to become extremely accessible to really inferior elements. They lay hold of him from the unconscious
. He lets himself be brutalized and exploited in the most ignominious way, if only he can be left undisturbed in the pursuit of his ideas. He simply does not see when he is being plundered behind his back and wronged in practical ways: this is because his relation to the object is such a secondary matter that lie is left without a guide in the purely objective valuation of his product. In thinking out his problems to the utmost of his ability, he also complicates them, and constantly becomes entangled in every possible scruple. However clear to himself the inner structure of his thoughts may be, he is not in the least clear where and how they link up with the world of reality. Only with difficulty can he persuade himself to admit that what is clear to him may not be equally clear to everyone. His style is usually loaded and complicated by all sorts of accessories, qualifications, saving clauses, doubts, etc., which spring from his exacting scrupulousness. His work goes slowly and with difficulty. Either he is taciturn or he falls among people who cannot understand him; whereupon he proceeds to gather further proof of the unfathomable stupidity of man. If he should ever chance to be understood, he is credulously liable to overestimate. Ambitious women have only to understand how advantage may be taken of his uncritical attitude towards the object to make an easy prey of him; or he may develop into a misanthropic bachelor with a childlike heart. Then, too, his outward appearance is often gauche, as if he were painfully anxious to escape observation; or he may show a remarkable unconcern, an almost childlike naivete. In his own particular field of work he provokes violent contradiction, with which he has no notion how to deal, unless by chance he is seduced by his primitive affects into biting and fruitless polemics. By his wider circle he is counted inconsiderate and domineering.

But the better one knows him, the more favourable one’s judgment becomes, and his nearest friends are well aware how to value his intimacy. To people who judge him from afar he appears prickly, inaccessible, haughty; frequently he may even seem soured as a result of his anti-social prejudices. He has little influence as a personal teacher, since the mentality of his pupils is strange to him. Besides, teaching has, at bottom, little interest for him, except when it accidentally provides him with a theoretical problem. He is a poor teacher, because while teaching his thought is engaged with the actual material, and will not be satisfied with its mere presentation.

The thinking of the introverted type is positive and synthetic in the development of those ideas which in ever increasing measure approach the eternal validity of the primordial images. But, when their connection with objective experience begins to fade, they become mythological and untrue for the present situation. Hence this thinking holds value only for its contemporaries, just so long as it also stands in visible and understandable connection with the known facts of the time. But, when thinking becomes mythological, its irrelevancy grows until finally it gets lost in itself. The relatively unconscious functions of feeling, intuition, and sensation, which counterbalance introverted thinking, are inferior in quality and have a primitive, extraverted character, to which all the troublesome objective influences this type is subject to must be ascribed. The various measures of self-defence, the curious protective obstacles with which such people are wont to surround themselves, are sufficiently familiar, and I may, therefore, spare myself a description of them. They all serve as a defence against ‘magical’ influences; a vague dread of the other sex also belongs to this category.

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The Introverted Intuitive Type

posted by Arkham on October 1st, 2008

Adapted from Jung, C.G.Psychological Types“:

The peculiar nature of introverted intuition produces a peculiar type of man, that are the mystical dreamer and seer on the one hand, or the fantastical crank and artist on the other. The latter might be regarded as the normal case, since there is a general tendency of this type to confine himself to the perceptive character of intuition. As a rule, the intuitive stops at perception; perception is his principal problem, and, in the case of a productive artist, the shaping of perception. But the crank contents himself with the intuition by which he himself is shaped and determined. Intensification of intuition naturally often results in an extraordinary aloofness of the individual from tangible reality; he may even become a complete enigma to his own immediate circle.

If an artist, he reveals extraordinary, remote things in his art, which in iridescent profusion embrace both the significant and the banal, the lovely and the grotesque, the whimsical and the sublime. If not an artist, he is frequently an unappreciated genius, a great man ‘gone wrong’, a sort of wise simpleton, a figure for ‘psychological’ novels.

The moral problem comes into being when the intuitive tries to relate himself to his vision, when he is no longer satisfied with mere perception and its aesthetic shaping and estimation, but confronts the question: What does this mean for me and for the world? What emerges from this vision in the way of a duty or task, either for me or for the world? The pure intuitive who represses judgment or possesses it only under the spell of perception never meets this question fundamentally, since his only problem is the How of perception. He, therefore, finds the moral problem unintelligible, even absurd, and as far as possible forbids his thoughts to dwell upon the disconcerting vision.

It is different with the morally orientated intuitive. He concerns himself with the meaning of his vision; he troubles less about its further aesthetic possibilities than about the possible moral effects which emerge from its intrinsic significance. His judgment allows him to discern, though often only darkly, that he, as a man and as a totality, is in some way inter-related with his vision, that it is something which cannot just be perceived but which also would fain become the life of the subject. Through this realization he feels bound to transform his vision into his own life. But, since he tends to rely exclusively upon his vision, his moral effort becomes one-sided; he makes himself and his life symbolic, adapted, it is true, to the inner and eternal meaning of events, but unadapted to the actual present-day reality. Therewith he also deprives himself of any influence upon it, because he remains unintelligible. His language is not that which is commonly spoken — it becomes too subjective. His argument lacks convincing reason. He can only confess or pronounce. His is the ‘voice of one crying in the wilderness’.

The introverted intuitive’s chief repression falls upon the sensation of the object. His unconscious is characterized by this fact. For we find in his unconscious a compensatory extraverted sensation function of an archaic character. The unconscious personality may, therefore, best be described as an extraverted sensation-type of a rather low and primitive order. Impulsiveness and unrestraint are the characters of this sensation, combined with an extraordinary dependence upon the sense impression. This latter quality is a compensation to the thin upper air of the conscious attitude, giving it a certain weight, so that complete ‘sublimation’ is prevented. But if, through a forced exaggeration of the conscious attitude, a complete subordination to the inner perception should develop, the unconscious becomes an opposition, giving rise to compulsive sensations whose excessive dependence upon the object is in frank conflict with the conscious attitude. The form of neurosis is a compulsion-neurosis, exhibiting symptoms that are partly hypochondriacal manifestations, partly hypersensibility of the sense organs and partly compulsive ties to definite persons or other objects.

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